Joo Gilberto Wikipdia Pour les articles homonymes, voir Gilberto. Joo Gilberto, de son nom complet Joo Gilberto Prado Pereira de Oliveira, est un musicien brsilien n le 1. Juazeiro dans ltat de Bahia. The defiant soundtrack of Brazil in the late 60s and early 70s, including classics by Caetano Veloso, Gal Costa, Gilberto Gil, Os Mutantes, Tom Z, and more. Il est considr comme le principal crateur de la bossa nova. En 1. 95. 8, il remporte un vif succs au Brsil avec la chanson Chega de saudade mais ce nest quen 1. A Garota de Ipanema The Girl From Ipanema, accompagn de Stan Getz. Depuis, cette chanson a t reprise en diverses langues par de nombreux artistes prestigieux tels que Frank Sinatra, Nat King Cole ou encore Ella Fitzgerald. Jusqu tout rcemment, Joo Gilberto continuait donner des concerts travers le monde Brsil, Amrique du Sud, Europe, tats Unis, Japon. Joo Gilberto est par ailleurs le pre de la chanteuse brsilienne Bebel Gilberto. Joo Gilberto nat le 1. Bahia. lge de 1. Salvador de Bahia. Guitariste autodidacte, il monte enfin Rio de Janeiro en 1. Garotos da Lua, dont il est congdi au bout dun an aprs deux enregistrements. Suivent plusieurs annes derrance et de marginalit, pendant lesquelles il na de cesse de se chercher un mode dexpression la guitare. Ses efforts sont rcompenss partir de 1. Tom Jobim avec qui il enregistre les premiers et les plus grands succs de la bossa nova, dabord comme guitariste sur un disque de Elizeth Cardoso, Cano do Amor Demais, essentiellement co compos par Jobim et le pote Vincius de Moraes. A VersaoKaraoke propocionalhe de uma forma rpida, o acesso ao maior catlogo de Video Karaokes e Instrumentais Mp3 de msica portuguesa brasileira e latina. latinbrazilworld music. Joo Gilberto, de son nom complet Joo Gilberto Prado Pereira de Oliveira, est un musicien brsilien n le 10 juin 1931 Juazeiro dans ltat de Bahia. 1967 Domingo con Gal Costa Philips 1968 Caetano Veloso Philips 1968 Tropiclia ou Panis et Circencis con Gilberto Gil, Os Mutantes, Nara Leo e Gal. O cenrio musical brasileiro no incio dos anos 60, psbossa nova, estava fortemente marcado por um sentimento nacionalista, ligado esquerda poltica. Il sort lui mme en 1. T et le 3. 3TChega de Saudade, lesquels lancent au Brsil la fois la carrire du chanteur guitariste et tout le mouvement musical  bossa nova . Ce premier album de Joo Gilberto obtient un norme succs dans le pays. Il est considr gnralement comme le premier album bossa nova vritable. Outre linoubliable Chega de saudade, il contient Desafinado, Rosa morena et Brigas nunca mais. Deux autres 3. 3T, O amor, o sorriso e a flor et Joo Gilberto, suivent respectivement en 1. On y trouve des compositions de JobimMoraes Corcovado, Insensatez, O amor em paz, des chansons de leur an Dorival Caymmi Samba da minha terra, Saudade da Bahia, Rosa Morena, des sambas des annes 1. A primeira vez, des compositions nouvelles de Carlos Lyra Voc e eu, Coisa mais linda et Roberto Menescal O barquinho, toutes excutes dans ce style novateur mis au point par Joo. Ce style peut se rsumer en une adaptation la guitare solo de la rythmique syncope du samba traditionnel. Lors dune tourne en Italie, en 1. Bruno Martino it, Estate, quil adaptera plus tard en bossa nova et qui deviendra un standard international interprt par les plus grands musiciens de jazz, de Chet Baker Michel Petrucciani en passant par Toots Thielemans. partir de 1. Unis, dont Stan Getz, Gilberto et Jobim se rendent New York afin de travailler sur ce qui devait devenir le best seller du jazz, le 3. T GetzGilberto, sur lequel la femme de Joo, Astrud, dbute aussi sa carrire de chanteuse, notamment avec la chanson Garota de IpanemaThe Girl from Ipanema. Le disque est un triomphe et un concert historique a lieu au Carnegie Hall le 9octobre. Ce dernier sera enregistr et un second album GetzGilberto vol. Joo Gilberto continue jouer dans les annes 1. Ela Carioca, ralis lors dun sjour au Mexique. Le disque Joo Gilberto, parfois surnomm lAlbum blanc de la bossa, sort en 1. Interprt presque uniquement au chant guitare, dune sensibilit cool et quasi mystique, ce disque marque un certain loignement du son de Joo connu jusqualors. Cet album comprend notamment le succs guas de Maro de Antnio Carlos Jobim et regroupe entre autres les chansons Falsa bahiana et E preciso perdoar. Gal Costa born Maria da Graa Costa Penna Burgos on September 26, 1945 is a Brazilian singer of popular music. 1 1 A msica, principalmente a partir da nova histria, vem sendo considerada como fonte histrica, e cada vez mais utilizada como um recurso didtico para. Boas noites, meus prezados amigos cultos e ocultos Vai a saudao no plural para valer pelos dias faltosos. Desculpem, mas o tempo, a cada dia que passa vai. Il est souvent considr au Brsil comme son meilleur disque. En 1. 97. 6 parat The Best of Two Worlds, nouvelle collaboration avec Stan Getz regroupant la plupart des chansons prcdemment interprtes sur lalbum blanc. Y chante galement Micha, seconde femme de Joo depuis 1. Amoroso, dit en 1. Claus Ogerman, lequel avait collabor de prcdents albums de Tom Jobim. Cet album reprend entre autres Retrato em branco e preto et Triste ainsi que des succs trangers chants en version originale S Wonderful, Estate, Besame mucho. Une constante de ces albums et des suivants  leur rpertoire consiste pour presque moiti de compositions de Jobim, le reste tant des reprises danciens sambas ou alors de succs populaires dautres pays. En 1. 98. 0 parat Brasil, collaboration avec Gilberto Gil, Caetano Veloso et Maria Bethnia, soit la nouvelle gnration de la musique populaire brsilienne dalors le mouvement tropicaliste. Danciens succs populaires brsiliens, tels que Aquarela do Brasil, No tabuleiro da Bahiana et Bahia com H, font de cet album un vritable manifeste de lme brsilienne. En 1. 99. 1, lalbum Joo a la particularit de ne contenir aucune chanson de Tom Jobim. Mais il y revient en 1. Voz e Violo, produit par Caetano Veloso, en renregistrant ses premiers succs Chega de Saudade et Desafinado. Cest une personnalit excentrique que celle de Joo Gilberto, rpute pour sa rclusion et son perfectionnisme quasi nvrotiques, capable de vivre dans un htel de luxe de Rio de Janeiro pendant des annes, refusant toute interview, ne sortant presque jamais, capable aussi dabrger son spectacle pour cause de public bruyant et irrespectueux, ou de sonorisation inadquate. Cependant il continue donner des concerts tant au Brsil que dans les principales villes du monde, concerts dpassant gnralement deux heures, et dont plusieurs enregistrements sont disponibles sur disques compacts  Prado Pereira de Oliveira 1. Live in Montreux 1. Eu Sei Que Vou Te Amar 1. Live at Umbria Jazz 2. In Tokyo 2. 00. 4. En 2. 00. 9, la mise en ligne gratuite dun enregistrement lgendaire et trs convoit de lartiste sur un blog musical brsilien a remport un vif succs auprs des amateurs et des collectionneurs. Enregistre chez le photographe Chico Pereira Rio de Janeiro en 1. Chega de Saudade, cette archive sonore mle dialogues et chansons, dont certaines taient encore indites dans la voix de Joo. Depuis le dbut des annes 2. CD et vinyle du fait de leur entre dans le domaine public. Elles offrent notamment en bonus des versions rarissimes de ses chansons par des interprtes brsiliens de renom dont Elizeth Cardoso, Joo Donato, Sergio Mendes, Sylvia Telles ou encore Carlos Lyra. En 2. 01. 5, deux concerts indits de lartiste enregistrs respectivement en 1. Le premier, lanc en fvrier, a pour intrt de proposer le tout premier enregistrement sonore de la chanson A Garota de Ipanema, interprte ici lunisson aux cts dAntnio Carlos Jobim et de Vincius de Moraes. Paru en avril loccasion du Record Store Day, le second runit quatre titres tirs dun concert enregistr avec Stan Getz San Francisco en 1. GetzGilberto. Larchive complte de ce concert est finalement dite en vinyle et en format CD en fvrier 2. En tant que membre du groupe Os Garotos da Luamodifier modifier le code1. Quando voc recordarAmar bom Todamerica, 7. T1. 95. 1Anjo cruel Sem ela Todamerica, 7. T1. 95. 2Quando ela saiMeia luz Copacabana, 7. T1. 95. 8Chega de saudadeBim Bom Odeon, 7. T1. 95. 8DesafinadoH b l l Odeon, 7. T1. 95. 9Chega de saudade Odeon, 3. T premier 3. 3T1. Lobo boboMaria ningum Odeon, 7. T1. 95. 9Joo Gilberto cantando as msicas do filme Orfeu do Carnaval Odeon, 4. T1. 95. 9A felicidadeO nosso amor Odeon, 7. The Story of Tropicalia in 2. Albums. The Dance Against Dictatorship. By Andy Beta. Tropiclia was a revolution, a movement of subversion and beauty that swept Brazil in the late 1. It was a vivid, multi disciplinary blossom, ranging from poetry to films, theater to visual art. But it was the scenes bold and adventurous take on msica popular brasileira Brazilian pop music that made the most noise around the world. Led by future stars Caetano Veloso, Gilberto Gil, and Gal Costa, as well as irascible talents like Tom Z and Os Mutantes, Tropiclia combined adventurous rocknroll and avant garde sounds with the native rhythms of the country. In the wake of the Summer of Love in 1. UK, Europe, and Americathough their work almost didnt make it out of a turbulent Brazil. In 1. 96. 4, a CIA backed military group a junta brought down the elected government of President Joo Goulart, installing the army general Costa e Silva instead. Goulart was elected on an economic nationalist platform that sought to narrow the gap between wealthy and poor, and keep multinational companies from siphoning their profits out of the country, much to the ire of the rich and powerful. By 1. 96. 8, Silvas military government cracked down on dissent of all stripes, be they industrial strikes, student protests, or critical songs. And in December of that year, the regime passed their ultimate act of repression with AI 5, a bill that shuttered the National Congress, imposed strict censorship on media, and suspended habeas corpus. In many ways, this was devastating to Brazil for artists, it led to an era that was deemed the vazio cultural cultural void. Still, in the face of such creative antagonism, the Tropiclistas fought for their creative freedom. Velosos debut album, with the song Tropiclia, kicked it off in earnest, and more artists released their musical manifestos a few months later on the compilation Tropiclia ou Panis et Circencis, which juxtaposed their takes on samba with jarring song structures and experimentation. Gil and Costa both snuck references to spilled blood past national censors, while Veloso paid homage to the revolutionary Che Guevara on the bubbly Soy Loco Por T, Amrica without mentioning him by name. They used surrealistic wordplay and the thought breaking approach of concrete poetry to conceal their commentary on the consumerism and violence overtaking their country, mixed with a deceptively bright sound. Veloso called what he and his friends did cultural cannibalismthey were eating the likes of the Beatles, Jimi Hendrix, Janis Joplin, Jean Luc Godard, and more, distilling those elements into the music Brazil already loved the bossa novas of Joo Gilberto and Tom Jobim, the batucada that thunders through Carnival. For this, the Tropiclia artists in Rio and So Paulo were perceived as threats by both sides of the political spectrum. The Marxist left considered them apolitical, obsessed with superfluous Western pop music rather than traditional Brazilian sounds. And to the fascist right, the groups playfulness was seen as anarchistic and threatening to the countrys status quo. Soon after AI 5 was passed, Veloso and Gil woke to the police at their doors. They were arrested without charges, kept in solitary confinement for months, and then exiled to England until the early 1. All the major players had staged a mock funeral for Tropiclia in a television performance mere days before their arrestyet, in the absence of Veloso and Gil, Tropiclia did die in Brazil. Many artists went on to pop stardom, though. Os Mutantes moved into heavy rock, while the groupsfrontwoman Rita Lee and Costa turned toward mainstream MPB success. Meanwhile, Z continued to make idiosyncratic albums in greater obscurity. The grip of the junta finally loosened in the early 1. It took decades before the sound of Tropiclia began to echo around the world, inspiring new listeners along the way. Z found a fan in David Byrne, who rereleased the Brazilian iconoclasts music in the early 1. Tortoise were also enchanted by Z and served as his backing band later that decade. Nirvana pleaded with Os Mutantes to reform so they could perform together, and Beck named his Tropiclia influenced 1. Mutations after them. Velosos name appeared alongside King Tubby and Black Dice as influences on Panda Bears Person Pitch. At home, Tropiclia inspired the next generation to use music to push for their freedoms. Tropiclias most fruitful period might have lasted less than a year, officially, but its impact lives on. On the 2. 0 albums selected below, presented by year, you can hear how Brazils past mingled with its future to create a mutant pop form of msica popular brasileira that still resounds today. But first, lets talk with one of Tropiclias greatest stars.